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  1. Cultural turn in der Literaturtheorie? : Beobachtungen zur Neuauflage von Iwanami Literary Studies und dem Sonderband "Literaturtheorie"
    Autor*in: Wittkamp, Robert F.
    Erschienen: 25.11.2008

    Traditional philology in Japan (kokubungaku) is often described, both at home and abroad, as having a phobia of theory. The literary scholar often speaks the same language as the poet, and in many cases, as in the second edition of Iwanami Literary... mehr

     

    Traditional philology in Japan (kokubungaku) is often described, both at home and abroad, as having a phobia of theory. The literary scholar often speaks the same language as the poet, and in many cases, as in the second edition of Iwanami Literary Studies (Iwanami Kōza Bungaku, 1975–1976), they are one and the same person. However, a closer look at Japanese literary studies since the translation of Eagleton´s Literary Theory in 1985 reveals that this paradigm has already started to shift. The publication of the third edition of Iwanami Literary Studies, and in particular the supplement Literary Theory (Bungaku Riron, 2004) distinctly reflects this shift, at least among the younger generation of literary scholars. In my paper I will show not only the shift to theory in recent Japanese literary studies, but also that theory itself (as it is used in Japan) has experienced that worldwide movement described as the “cultural turn.” In order to prove this observation I will take a closer look at the contemporary English, German and Japanese discourse on literary theory and, in particular concepts such as contingency, (new) contextuality, and culturalism.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Literaturtheorie; Japan
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  2. Dann schliefe ich noch mehr nicht : Überlegungen zur 17-Silben-Übersetzung des Haiku
    Autor*in: Wittkamp, Robert F.
    Erschienen: 25.11.2008

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Preprint
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Übersetzung; Haiku
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  3. Das japanische Haiku in deutscher Übersetzung
    Autor*in: Wittkamp, Robert F.
    Erschienen: 25.11.2008

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Preprint
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Übersetzung; Haiku
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  4. Die Anti-Landschaft bei Bashō : Ergänzungen zur Kritik am postmodernen Landschaftsbegriff
    Autor*in: Wittkamp, Robert F.
    Erschienen: 25.11.2008

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Bericht
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Landschaft; Japan
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  5. Konstruktivismus, Wahrnehmung und Gedächtnis : ein Plädoyer für einen konstruktivistischen Landschaftsdiskurs
    Autor*in: Wittkamp, Robert F.
    Erschienen: 25.11.2008

    In trying to study the idea of landscape (fukei) in Japanese waka-poetry, one may find oneself confronted with a great variety of concepts. All of these share commonalities in that they are not at all defined, that their meaning depends on personal... mehr

     

    In trying to study the idea of landscape (fukei) in Japanese waka-poetry, one may find oneself confronted with a great variety of concepts. All of these share commonalities in that they are not at all defined, that their meaning depends on personal usage (at the level of the producer, as well as of the researcher who often speaks the same language), and that they can be understood on a wide spectrum between the two extreme positions marked by fiction and reality (without, of course, any scientific concept about what fiction and reality might be). Although European traditions are coping with the concept of landscape in an aesthetical and philosophical way, there is no such comparable tradition in traditional Japanese literary history (kokubungaku). Because of this, there is no satisfactory way to conceptually understand waka-landscape, since the very basic key-term itself is not mutually accessible. European and Japanese concepts of landscape may not, therefore, be able to be brought together. To have an international scientific discussion on landscape (found in every culture historically and up to the present), it is necessary to develop a concept of landscape which is not only an issue of arts, aesthetics or philosophy, but also the subject of anthropological approaches and cultural studies. In this paper, I attempt to develop a concept of landscape, which is based on constructivism and the psychology of perception and memory. I will also show how constructivist thought has gained great popularity in German social and cultural studies.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Landschaft; Japan; Europa
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess