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  1. "Camões", por Wilhelm von Chézy
    Autor*in: Ritter, Vinícius Casanova

    Rezension zu Chézy, Wilhelm von. Camoens. Bayreuth: Die Grausche Buchhandlung, 1832. mehr

     

    Rezension zu Chézy, Wilhelm von. Camoens. Bayreuth: Die Grausche Buchhandlung, 1832.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Portugiesisch
    Medientyp: Rezension
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Übersetzung; Portugiesisch
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. "Continuação a seguir...": Günter Grass e a arte da narrativa
    Autor*in: Mazzari, Marcus

    The article traces the development of Günter Grass's work with special emphasis on his reception in Germany and his being awarded the Nobel Prize. It shows how Grass employs traditional narrative strategies, particularly that of the fairy-tale, and... mehr

     

    The article traces the development of Günter Grass's work with special emphasis on his reception in Germany and his being awarded the Nobel Prize. It shows how Grass employs traditional narrative strategies, particularly that of the fairy-tale, and how he represents the recent German past in figures of the unreal. By these means his texts are able to show the grotesqueness of historical reality in the 20th century. Der Artikel verfolgt die Entwicklung des Werks von Günter Grass mit Blick auf die Rezeption in Deutschland und die Vergabe des Nobelpreises. Es wird gezeigt, dass Grass traditionelle Erzählstrategien – z. B. die des Märchens – gebraucht, um im Gestus des scheinbar Irrealen das Groteske der historischen Realität im 20. Jahrhundert herauszustellen.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grass, Günter; Erzähltechnik; Geschichtsdarstellung; Gesellschaftskritik
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  3. "Da aurora à meia-noite" e a questão da intermedialidade no expressionismo "From morn to midnight" and the question of intermediality in expressionism
    Autor*in: Korfmann, Michael

    This article aims to reassess the question of intermediality in expressionism in regard to "From morn to midnight". Written between 1912 and 1915 by Georg Kaiser and published in 1916, the text has been staged in many theatres from 1917 on. In 1920... mehr

     

    This article aims to reassess the question of intermediality in expressionism in regard to "From morn to midnight". Written between 1912 and 1915 by Georg Kaiser and published in 1916, the text has been staged in many theatres from 1917 on. In 1920 director Karl Heinz Martin undertook its transposition into film. The first part of this investigation examines the text in relation to theatrical traditions and possible adaptations of cinematic techniques. It then analyzes the scenic aspects of its staging in the context of the new visuality of expressionist theatre while the third part takes a closer look at the cinematic adaption in the context of the long lasting debate on expressionist cinema. O presente artigo objetiva reavaliar a questão intermedial do expressionismo referente à "Da aurora à meia-noite", obra destacada de Georg Kaiser. O texto, escrito entre 1912 e 1915, e publicado em 1916, foi encenado em inúmeros teatros a partir de 1917. Em 1920, o diretor Karl Heinz Martin realizou sua transposição para o medium fílmico. A primeira parte do presente estudo analisa a forma textual de "Da aurora à meia-noite" entre tradição teatral e possíveis adaptações de técnicas cinematográficas. A seguir, investiga-se o aspecto visual de sua encenação no âmbito da nova visualidade expressionista no teatro, enquanto que a terceira parte se ocupa do filme "Da aurora à meia-noite" no contexto da permanente discussão sobre o chamado cinema expressionista

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Kaiser, Georg / Von morgens bis mitternachts; Martin, Karl Heinz; Expressionismus
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. "Die Aufzeichnungen des Malte Laurids Brigge" : novas perspectivas de interpretação "Die Aufzeichnungen des Malte Laurids Brigge" : new interpretation perspectives
    Autor*in: Martins, Renata

    The objective of this text is to analyze the stranger's experience in the novel "Die Aufzeichnungen des Malte Laurids Brigge" by Rainer Maria Rilke through new interpretation perspectives based, for example, on Sigmund Freud's psychoanalytic... mehr

     

    The objective of this text is to analyze the stranger's experience in the novel "Die Aufzeichnungen des Malte Laurids Brigge" by Rainer Maria Rilke through new interpretation perspectives based, for example, on Sigmund Freud's psychoanalytic theories. Living in a foreign metropolis (Paris), which he does not identify with yet, the novel's protagonist, Malte Laurids Brigge, discovers a new inner world through his shock with stranger's experiences in this environment. The revelation of his childhood memories and his ego projection through readings of narratives by others are his methods to search and assert his identity. O objetivo deste texto é analisar a experiência do estranho no romance "Die Aufzeichnungen des Malte Laurids Brigge", de Rainer Maria Rilke, através de novas perspectivas de interpretação apoiadas, por exemplo, nas teorias psicanalíticas de Sigmund Freud. Vivendo em uma cidade estrangeira (Paris), com a qual ainda não se identifica, o protagonista do romance, Malte Laurids Brigge, descobre um mundo interior novo através de seu choque com experiências do estranho nesse milieu. A revelação de recordações de sua infância e a projeção de seu ego em leituras de narrativas alheias são seus métodos para buscar e afirmar sua identidade.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Identität <Motiv>; Fremdheit <Motiv>; Metropole <Motiv>; Innenwelt <Motiv>; Psychoanalyse; Rilke, Rainer Maria / Die Aufzeichnungen des Malte Laurids Brigge
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. "Die Leiden des jungen Werthers" à luz da história do conceito de subjetividade "The sorrows of young Werther" in the light of the concept of subjectivity
    Autor*in: Vale da Silva, Felipe

    This article analyses the parallels between, on the one hand, the portrayal of the 'struggling modern subject' depicted by Goethe in his "Die Leiden des jungen Werthers" and, on the other, the psychosocial profile of the 'sentimental man' from the... mehr

     

    This article analyses the parallels between, on the one hand, the portrayal of the 'struggling modern subject' depicted by Goethe in his "Die Leiden des jungen Werthers" and, on the other, the psychosocial profile of the 'sentimental man' from the 18th century, product of the cultural environment of the Empfindsamkeit. I argue that in this novel, in borrowing the Empfindsamkeit's most traditional literary genre — the epistolary novel —, Goethe ends up mimicking a number of topoi and discursive techniques proper to this tradition, though in a radically heterodox fashion. The approach will lead us to a deduction of Goethe's own views on the modern subject, which situates him as an important figure within the discourse of modernity. O artigo analisa os paralelos entre o retrato do 'sujeito moderno em crise' visto no romance "Die Leiden des jungen Werthers" de Goethe e, por outro lado, o perfil psicossocial do 'homem do sentimento' do século XVIII, fruto da cultura da Empfindsamkeit. Defendo a perspectiva de que, no romance, Goethe não apenas se utiliza do formato literário mais tradicional da Empfindsamkeit (o do romance epistolar), como também se apropria de topói e técnicas discursivas que lhe são próprias em registro radicalmente heterodoxo. A argumentação nos ligará a uma dedução da visão do conceito de subjetividade moderna com que Goethe trabalha em sua fase final do Sturm und Drang, e que o situa como importante nome do discurso filosófico da modernidade.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Empfindsamkeit; Goethe, Johann Wolfgang von / Die Leiden des jungen Werthers; Subjektivität; Modernität; Briefroman
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess