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  1. Pre-established harmony between parental and personal choice of the partners : masked encounters in Ludvig Holberg's 'Mascarade', Carlo Goldoni's 'I Rusteghi' and Georg Büchner's 'Leonce und Lena'
    Autor*in: Hösle, Vittorio
    Erschienen: 11.09.2017

    The following essay in comparative literature focuses on three comedies that perhaps satisfy the aforementioned conditions, namely Ludvig Holberg's 'Mascarade' of 1724, Carlo Goldoni's 'I Rusteghi' of 1760, and Georg Büchner's 'Leonce und Lena' of... mehr

     

    The following essay in comparative literature focuses on three comedies that perhaps satisfy the aforementioned conditions, namely Ludvig Holberg's 'Mascarade' of 1724, Carlo Goldoni's 'I Rusteghi' of 1760, and Georg Büchner's 'Leonce und Lena' of 1836. My interest is typological, not genealogical, i.e. I do not claim that the later authors knew the earlier dramas; for the three authors belong to different cultures and write their texts in different languages - Danish, Venetian, and German. Still, even if am not interested in the question, I cannot exclude such knowledge either. There are similarities not only in the main structure, but also in the details; and Holberg is possibly known to Goldoni and certainly to Büchner.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Synchron. Wissenschaftsverlag der Autoren
    Schlagworte: Büchner, Georg; Leonce und Lena; Holberg, Ludvig; Mascarade; Goldoni, Carlo; I rusteghi; Vergleichende Literaturwissenschaft
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. Tears falling on goosebumps : Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal
    Autor*in: Wassiliwizky, Eugen; Jacobsen, Thomas; Heinrich, Jan; Schneiderbauer, Manuel; Menninghaus, Winfried
    Erschienen: 07.02.2017

    This psychophysiological study is the first to examine the relationship between emotional tears and emotional piloerection (i.e., goosebumps). Although both phenomena have been related to peak states of being moved, details about their temporal... mehr

     

    This psychophysiological study is the first to examine the relationship between emotional tears and emotional piloerection (i.e., goosebumps). Although both phenomena have been related to peak states of being moved, details about their temporal occurrence and the associated levels of physiological arousal have remained unknown. In our study, we used emotionally powerful film scenes that were self-selected by participants. Our findings show that even within peak moments of emotional arousal, a gradation of intensity is possible. The overlap of tears and goosebumps signifies a maximal climax within peak moments. On the side of the stimulus, we found that displays of prosocial behavior play a crucial role in the elicitation of tears and goosebumps. Finally, based on the results of a formal film analysis of the tears-eliciting clips provided by our participants, as compared to randomly extracted, equally long control clips from the same films, we show how the technical and artistic making of the clips was optimized for the display of social interaction and emotional expressions.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Max-Planck-Institut für empirische Ästhetik
    Schlagworte: Film; Gänsehaut; Ergriffenheit; Gefühl
    Lizenz:

    creativecommons.org/licenses/by/4.0/

    ;

    info:eu-repo/semantics/openAccess