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  1. Divine silence in Stefan Heym's "The King David Report"
    Autor*in: Tumanov, Vladimir

    This essay deals with Stefan Heym's "King David Report" as a work of artistically-based biblical scholarship rather than a work of political allegory related to the writer's experience in the East Block during the Cold War. I consider Baruch... mehr

     

    This essay deals with Stefan Heym's "King David Report" as a work of artistically-based biblical scholarship rather than a work of political allegory related to the writer's experience in the East Block during the Cold War. I consider Baruch Halpern's notion of complementary causation (the attribution of causes behind given biblical events to divine and human agency at the same time) in connection to King David's seduction of Bathsheba and the subsequent murder of Bathsheba's husband in 2 Samuel. I try to demonstrate Heym's refusal to attribute complementary causation to the biblical events in order to expose David and Solomon as Machiavellian autocrats rather than instruments of God. Given that (according to Baruch Halpern) the biblical story of David is an apologia of Solomon's illegitimate rule, Stefan Heym's novel undermines the traditional view of Solomon as a Christ type and a great Israelite monarch. Heym's position is contrasted with the deeply ingrained tradition in Judeo-Christian culture of seeing David's life in terms of complementary causation. The conclusion seeks to illustrates Heym's general philosophic stance that makes spirituality and power incompatible.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Altes Testament; Samuel <Buch>, I. II.; David <Israel, König>; Salomo <Israel, König>; Heym, Stefan / Der König David Bericht
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    info:eu-repo/semantics/openAccess
  2. Mary versus Eve : paternal uncertainty and the Christian view of women
    Autor*in: Tumanov, Vladimir

    The virgin Mary and Eve constitute two opposite sexual poles in the way Christian discourse has approached women since the time of the church fathers. This stems from a predicament faced by the human male throughout hominid evolution, namely,... mehr

     

    The virgin Mary and Eve constitute two opposite sexual poles in the way Christian discourse has approached women since the time of the church fathers. This stems from a predicament faced by the human male throughout hominid evolution, namely, paternal uncertainty. Because the male is potentially always at risk of unwittingly raising the offspring of another male, two (often complementary) male sexual strategies have evolved to counter this genetic threat: mate guarding and promiscuity. The Virgin Mary is the mythological expression of the mate guarding strategy. Mary is an eternal virgin, symbolically allaying all fear of paternal uncertainty. Mary makes it possible for the male psyche to have its reproductive cake and eat it too: she gives birth (so reproduction takes place) and yet requires no mate guarding effort or jealousy. Eve, the inventor of female sexuality, is repeatedly viewed by the church fathers, e.g., Augustine and Origen, as Mary's opposite. Thus, Eve becomes the embodiment of the whore: both attractive in the context of the promiscuity strategy and repulsive in terms of paternal uncertainty: "Death by Eve, life by Mary" (St. Jerome). The Mary-Eve dichotomy has given a conceptual basis to what is known in psychology as the Madonna-Whore dichotomy: the tendency to categorize women in terms of two polar opposites. This paper will explore the way mythology reflects biology, i.e., human psychological traits that have evolved over millennia.

     
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    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Evolutionspsychologie; Religionsgeschichte; Frauenfeindlichkeit; Maria; Eva
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    info:eu-repo/semantics/openAccess
  3. Under the hood of Tess : conflicting reproductive strategies in Thomas Hardy's "Tess of the D'Urbervilles"
    Autor*in: Tumanov, Vladimir

    Thomas Hardy's "Tess of the D'Urbervilles" is analyzed from an evocritical perspective in order to consider evolved human reproductive strategies through the psychology and behavior of the novel's three principal characters: Tess, Alec and Angel. It... mehr

     

    Thomas Hardy's "Tess of the D'Urbervilles" is analyzed from an evocritical perspective in order to consider evolved human reproductive strategies through the psychology and behavior of the novel's three principal characters: Tess, Alec and Angel. It is argued that Hardy made the episode of Tess' and Alec's sexual contact, as well its interpretation by the characters, ambiguous, thereby suggesting the possibility of seduction rather than rape. In this context, two female mating patterns — inherited from our hominid ancestors — appear in Tess' behavior: a) the collection of high quality genes from a genetically fit male (Alec) who is not likely to stay with the female and provide for the offspring and b) mating with a provider male who is interested in long-term parental investment (Angel). Conversely, Angel and Alec represent two male mating strategies that evolved as possible courses of action in our species: the dad and the cad respectively. The unwillingness of Angel to forgive Tess her sexual past is considered in the context of another evolved feature of the human mind: paternal uncertainty (the fear of the male's genetic extinction through the possibility of raising another male's offspring). This is juxtaposed with studies of male jealousy in different cultures and periods. Tess' decision to tell Angel about her past is viewed in connection with the concept of modularity: an approach to human psychology based on the assumption that the mind is divided into specialized modules (responsible for different cognitive spheres) which can sometimes conflict.

     
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    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Evolutionspsychologie; Hardy, Thomas / Tess of the d'Urbervilles; Fortpflanzung <Motiv>
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    info:eu-repo/semantics/openAccess
  4. One Adam and nine Eves in Donald Siegel's "The Beguiled" and Giovanni Boccaccio's 3:1 of "The Decameron"
    Autor*in: Tumanov, Vladimir
    Erschienen: 17.03.2015

    Donald Siegel's 1971 film entitled "The Beguiled" is compared to Tale 1 of Day 3 from Giovanni Boccaccio’s "The Decameron". Both stories are about a man who arrives in a garden setting and finds nine sexually starved women. In Boccaccio's tale, a... mehr

     

    Donald Siegel's 1971 film entitled "The Beguiled" is compared to Tale 1 of Day 3 from Giovanni Boccaccio’s "The Decameron". Both stories are about a man who arrives in a garden setting and finds nine sexually starved women. In Boccaccio's tale, a male gardener finds himself in a convent occupied by nine nuns with whom he proceeds to have sexual relations to everyone's satisfaction. Siegel's film is about a wounded soldier taken in at a girls' finishing school whose nine female residents become the objects of the hero's amorous attention. While Boccaccio adopts a philogynist tone with respect to the material, "The Beguiled" appears to be a virulently misogynist film projecting its female characters as jealous demons who end up mutilating and then killing their male suitor. Findings from evolutionary psychology pertaining to female jealousy and reproductive strategies are used to consider the respective attitudes toward women in the medieval tale and the twentieth-century film. Conclusions are drawn about the difficulty of placing either of the stories within a clear-cut philogynist or misogynist category.

     
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    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Siegel, Don; Frauenfeindlichkeit <Motiv>; Boccaccio, Giovanni; Annotationi et discorsi sopra alcuni luoghi del Decameron; Evolutionspsychologie; Soziobiologie; Eifersucht <Motiv>
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  5. Daniel and the Sonnenscheins : biblical cycles in István Szabó's film "Sunshine"
    Autor*in: Tumanov, Vladimir

    As the exilic experience, initiated in 587 B.C.E., continued over millennia, no one has been able to settle the question of what it means to be a diaspora Jew. Are those who actively participate in non-Jewish life still in a position to claim the... mehr

     

    As the exilic experience, initiated in 587 B.C.E., continued over millennia, no one has been able to settle the question of what it means to be a diaspora Jew. Are those who actively participate in non-Jewish life still in a position to claim the heritage of Israel? And what about Jews who actively seek assimilation and renounce their roots altogether: are they still Jews in spite of themselves? Authors, from Joseph Roth to Sholom Aleichem to Chaim Potok, have tried to deal with this issue in light of different diaspora circumstances. One of the most recent perspectives on Jewish identity comes to us through "Sunshine", a powerful film by the Hungarian director Istvan Szabó (1999). Szabó, who wrote the screenplay with Israel Horowitz, tells the story of several generations in one Hungarian Jewish family: the Sonnenscheins. Living at the turn of the twentieth century, the patriarch of the Sonnenschein clan is Emmanuel, a successful distiller who seems to have found a balance between the two exilic extremes: neither complete assimilation, nor a retreat from gentile society.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Szabó, István; Diaspora / Juden
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess