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1. Recirculation : the wandering of digital images in post-Internet art

   Autor*in: Baldacci, Cristina

   Erschienen: 13.01.2020

   The text considers recirculation as a process through which both visual and cultural imagery are put in motion over and over again in the current information age, especially in the context of post-Internet art. Hito Steyerl's writings and thoughts on... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/52792/baldacci_recirculation.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-527926 https://doi.org/10.25620/ci-15_04

   The text considers recirculation as a process through which both visual and cultural imagery are put in motion over and over again in the current information age, especially in the context of post-Internet art. Hito Steyerl's writings and thoughts on the 'poor image', namely the low-resolution digital image bound to a perpetual wandering or 'circulationism', here serve as major reference points for the development of the argument.

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   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-96558-001-5; 978-3-96558-002-2
   DDC Klassifikation:	Literatur und Rhetorik (800)
   Sammlung:	ICI Berlin
   Schlagworte:	Steyerl, Hito; Sekula, Allan; Computerkunst; Rezirkulation
   Lizenz:	creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess

2. Reenactment : errant images in contemporary art

   Autor*in: Baldacci, Cristina

   Erschienen: 20.01.2020

   By distancing it from historical revival (i.e., 'Living History'), reenactment is here understood as artistic strategy as well as curatorial practice, and therefore as critical method. As artistic strategy it implies the reactivation (over time) and... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/52815/baldacci_reenactment.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-528155 https://doi.org/10.25620/ci-15_07

   By distancing it from historical revival (i.e., 'Living History'), reenactment is here understood as artistic strategy as well as curatorial practice, and therefore as critical method. As artistic strategy it implies the reactivation (over time) and remediation (on different supports) of images stemming from a vast visual repertoire that artists - especially those working with time-based media (film, video, performance) - appropriate in order to give them new meanings. As curatorial practice and critical method, reenactment regards the remaking of impermanent artworks and the restaging of temporary exhibitions to possibly offer an understanding of (art) history that gives preference to a visual and performative, sometimes immersive, approach.

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   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-96558-001-5; 978-3-96558-002-2
   DDC Klassifikation:	Literatur und Rhetorik (800)
   Sammlung:	ICI Berlin
   Schlagworte:	Performance <Künste>; Intermedialität; Reenactment; Pirici, Alexandra
   Lizenz:	creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess