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  1. "I have gotten used to the whites, but I tremble before the blacks!" : fashioning colonial subjectivities in "The Brave Rabbit in Africa"
    Autor*in: Kállay, Kristína
    Erschienen: 08.04.2024

    The ways in which Self and Other are represented in fiction play a significant role in the formation of racial and other stereotypes in any culture. This article is a reading of the children's book "The Brave Rabbit in Africa" (1931) by Slovak... mehr

     

    The ways in which Self and Other are represented in fiction play a significant role in the formation of racial and other stereotypes in any culture. This article is a reading of the children's book "The Brave Rabbit in Africa" (1931) by Slovak modernist author Jozef Cíger-Hronský. It attempts to point out and analyse the ways in which racial and national identities are constructed in the written text of the book. Arguably, the story deploys colonialist motifs typical of Western literature in order to appraise the modern, civilized identity of the young Slovak nation.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800); 891.8
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Hronský, Jozef Cíger; Kinderliteratur; Afrikabild; Kolonialliteratur
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. "… the first singer, a born German" : notions of nationality as a field of conflict in operatic music of the 1770s
    Autor*in: Horz, Andrea
    Erschienen: 08.04.2024

    This article contributes to the European history of musical nationalism with regard to operatic debates in the eighteenth century. The investigation reveals that within operatic debates national categories were used for all levels of the multimedia... mehr

     

    This article contributes to the European history of musical nationalism with regard to operatic debates in the eighteenth century. The investigation reveals that within operatic debates national categories were used for all levels of the multimedia genre of opera: music, text, composer, and actor. Moreover, the relationship between national character and national taste was a highly critical point: there was general agreement that only outstanding aesthetic abilities enable composers to go beyond their own particular national character. Only in this respect could aesthetic abilities stand above national taste, which was said to be shaped by national character.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Bühnenkunst (792); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Oper; Diskurs; Nationalismus; Nationalcharakter; Musikalischer Geschmack; Geschichte 1770-1780; Gluck, Christoph Willibald; Rezeption
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  3. #JeSuisAmatrice: identity through a landscape of wounds; toward a geo-imagology
    Autor*in: Brandlechner, Daniel
    Erschienen: 08.04.2024

    Italy has experienced a high number of earthquakes. However, the identity of "the Italians" has not yet been defined by their "landscape of wounds." Referring to an earthquake in central Italy (Amatrice) in August 2016, the French satirical magazine... mehr

     

    Italy has experienced a high number of earthquakes. However, the identity of "the Italians" has not yet been defined by their "landscape of wounds." Referring to an earthquake in central Italy (Amatrice) in August 2016, the French satirical magazine Charlie Hebdo published a controversial caricature of two wounded Italians standing alongside the "Lasagnes," a pile of bodies layered like the well- known Italian pasta dish. By analysing the caricature's text, intertext, and context, while drawing on imagology and geopoetics, this article aims to show how earthquakes are linked to Italian cultural stereotypes and national identity.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Italienbild; Erdbeben; Geopoetik; Charlie hebdo
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. A "Jezebel" or a further "madwoman in the attic" in Caroline Lee Hentz's "The Planter's Northern Bride"
    Autor*in: Andersson, Karin
    Erschienen: 08.04.2024

    This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can... mehr

     

    This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can be made between Hentz's Italian "Madwoman in the attic" Claudia, and Brontë's transatlantic Caribbean counterpart Bertha. An intersectional methodology performed through a close reading will show how both women are literally and metaphorically trapped within spaces and stereotypes. This article transfers imagology into a global setting while extending its scope beyond investigating national characteristics.

     
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  5. A study on "The Travel Journal and Pictures" : Li Danlin's image of foreign lands and cultures
    Autor*in: Zhu, Wenjun
    Erschienen: 08.04.2024

    This article studies the hetero-images in premodern Chinese painter Li Danlin's travelogue "The Travel Journal and Pictures" with regard to Daniel-Henri Pageaux's and Jean-Marc Moura's theories. Li draws pictures of foreign lands and cultures to... mehr

     

    This article studies the hetero-images in premodern Chinese painter Li Danlin's travelogue "The Travel Journal and Pictures" with regard to Daniel-Henri Pageaux's and Jean-Marc Moura's theories. Li draws pictures of foreign lands and cultures to express his exoticist interest, following the tradition entailed from "The Classic of Mountains and Seas". He transforms the reality and constructs two forms of hetero-images: those of Western cultures by applying clichés, and stereotyped images of indigenous peoples as "Manyi." These hetero-images give us insights into premodern Chinese ideology and offer an example of Occidentalism as a Sinocentric form of ethnotype.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Malerei, Gemälde (750); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Reiseliteratur; Malerei; Fremdbild; Barbar <Motiv>; Ethnozentrismus; Okzidentalismus
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess