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1. Affectivité et thérapeutique de la musique dans "Adriani" de George Sand

   Autor*in: Popic, Lara

   This article explores the relations between affects and music in George Sand's novel "Adriani" (1853). It examines how the figuration of music highlights the importance of emotions, as they shift from aesthetic (admiration) to moral (compassion), in... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/57572/CH_48_Popic.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-575722

   This article explores the relations between affects and music in George Sand's novel "Adriani" (1853). It examines how the figuration of music highlights the importance of emotions, as they shift from aesthetic (admiration) to moral (compassion), in her protagonists' moral transformations. However, Sand's transposition of an imaginary musical world in the novel is part and parcel of a much more ambitious project, that of social transformations, notably of relations between the sexes. It is through their dialogue in and via music that her heroes discover each other and themselves, while their intimate trajectories enable the reader to imagine interpersonal relations among equals founded on emotional, intellectual and social reciprocity.

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   Quelle:	CompaRe
   Sprache:	Französisch
   Medientyp:	Wissenschaftlicher Artikel
   Format:	Online
   ISBN:	978-3-8498-1647-6; 978-3-8498-1391-8; 978-3-8498-1392-5
   DDC Klassifikation:	Literatur und Rhetorik (800); Literaturen romanischer Sprachen; Französische Literatur (840)
   Sammlung:	Aisthesis Verlag
   Schlagworte:	Sand, George; Musik <Motiv>; Liebe <Motiv>; Künstler <Motiv>
   Lizenz:	creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess