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  1. Encenando a modernização europeia: "Toni Erdmann" de Maren Ade
    Autor*in: Soares, Marcos César de Paula; Kruger, Patrícia de Almeida
    Erschienen: 02.02.2020

    Este artigo apresenta uma leitura do filme alemão "Toni Erdmann" (2016), dirigido por Maren Ade, a partir da indagação a respeito dos modos através dos quais ele analisa os processos contemporâneos de modernização na Europa. Para tanto, será feita... mehr

     

    Este artigo apresenta uma leitura do filme alemão "Toni Erdmann" (2016), dirigido por Maren Ade, a partir da indagação a respeito dos modos através dos quais ele analisa os processos contemporâneos de modernização na Europa. Para tanto, será feita também uma reflexão sobre a apropriação que o filme faz de certos modos de encenação épica propostos por Bertolt Brecht. A parte final do artigo sugere uma aproximação entre o filme e a peça "Mãe Coragem e seus filhos" ("Mutter Courage und ihre Kinder", 1939). This paper aims to analyze the German film "Toni Erdmann" (2016), by Maren Ade, in order to look at the way in which it probes into contemporary modernization processes in Europe. To do so, we also propose a reflection about the film's appropriation of some of the elements of epic dramaturgy proposed by Bertolt Brecht. The final part of the essay suggests an approximation between the film and the play "Mother Courage and her children" ("Mutter Courage und ihre Kinder", 1939).

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Ade, Maren; Toni Erdmann (Film); Modernisierung; Brecht, Bertold; Mutter Courage und ihre Kinder; Episches Theater
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/

    ;

    info:eu-repo/semantics/openAccess
  2. Romper a superfície da imagem : reflexões de Brecht sobre o cinema e a fotografia
    Autor*in: Gutierrez, Maria Alzuguir
    Erschienen: 08.02.2022

    Este artigo pretende apresentar algumas das ideias de Brecht sobre o cinema e a fotografia, elaboradas em obras literárias, ensaios e notas escritos ao longo de sua trajetória. A proposta aqui é oferecer ao leitor de português acesso a uma importante... mehr

     

    Este artigo pretende apresentar algumas das ideias de Brecht sobre o cinema e a fotografia, elaboradas em obras literárias, ensaios e notas escritos ao longo de sua trajetória. A proposta aqui é oferecer ao leitor de português acesso a uma importante faceta do pensamento brechtiano, ainda pouco conhecida no Brasil: suas reflexões sobre a imagem técnica. This article aims to present some of Brecht's ideas on cinema and photography, elaborated in literary works, essays and notes written along his trajectory as author. The article intends to offer the Portuguese-language reader access to an important facet of Brechtian thought, still little known in Brazil: his reflections on the technical image.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Fotografie, Fotografien, Computerkunst (770); Öffentliche Darbietungen, Film, Rundfunk (791); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Brecht, Bertolt; Film; Fotografie
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/

    ;

    info:eu-repo/semantics/openAccess
  3. A RAF : Baader-Meinhof entre mito, documentário e cinema de ação
    Autor*in: Bär, Gerald
    Erschienen: 05.10.2020

    Den deutschen Linksterrorismus der RAF und ihre gesellschaftlichen Folgen behandelt Gerald Bär anhand der Filme "Deutschland im Herbst" und "Der Baader Meinhof Komplex", berücksichtigt wird dabei auch die Aufnahme dieser Ereignisse in Portugal, so... mehr

     

    Den deutschen Linksterrorismus der RAF und ihre gesellschaftlichen Folgen behandelt Gerald Bär anhand der Filme "Deutschland im Herbst" und "Der Baader Meinhof Komplex", berücksichtigt wird dabei auch die Aufnahme dieser Ereignisse in Portugal, so wie das Lied "Sedas a Vento", das Vitorino Salomé der toten Ulrike Meinhof widmete.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutschland im Herbst; Der Baader Meinhof Komplex; Rote-Armee-Fraktion <Motiv>; Rezeption; Portugal
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  4. “Eine Kneipe ist wie ein Film” : aproximações entre o cinema de Fatih Akin e o Neuer Deutscher Film de três décadas atrás
    Autor*in: Wondracek Linck, Gabriela

    Fatih Akin has been the subject of much research in the academic world, especially regarding his portrayal of young Turkish Germans, Turkey and the borders between Europe and the Middle East. This article presents a critical evaluation of these... mehr

     

    Fatih Akin has been the subject of much research in the academic world, especially regarding his portrayal of young Turkish Germans, Turkey and the borders between Europe and the Middle East. This article presents a critical evaluation of these approaches and then looks into Akin’s relation with music, literature and the New German Cinema from the 1970’s and 80’s.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791)
    Schlagworte: Akin, Fatih (Regisseur); Fassbinder, Rainer Werner; Wenders, Wim; Neuer deutscher Film
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  5. Literatura e luz : iluminação elétrica, teatro e o filme expressionista
    Autor*in: Korfmann, Michael

    This article discusses the influence of electric illumination on theatre and the so called expressionist film. It starts with a short historical overview and will then argue that the only film with a narrative as well as a visual design in... mehr

     

    This article discusses the influence of electric illumination on theatre and the so called expressionist film. It starts with a short historical overview and will then argue that the only film with a narrative as well as a visual design in expressionist tradition is From Morn to Midnight, based on a play written in 1912 by Georg Kaiser and released in same year (1920) as its legend counterpart The Cabinet of Caligari. But different then Caligari or many other famous German silent movies from the 1920s it is not located in a romantic shadow world, syntactically created by lightning effects, but renounces the dark and spooky irrational in favor of an urban environment in the early twentieth century: a story of money, erotic seduction, escapist fantasies, eccentric bohemian life, crime and rapid alteration of scenes.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Portugiesisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791)
    Schlagworte: Beleuchtung; Von morgens bis mitternachts; Das Cabinett des Doktor Caligari; Expressionismus
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess