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1. The guest : transfiguring indifference in "Teorema"

   Autor*in: Peppel, Claudia

   Erschienen: 17.12.2019

   In its elusive form between drama, novel and film, "Teorema" marks a 'new turning point in Pasolini's oeuvre'. Both the narrative and the style are remarkable, juxtaposing elements of different genres, nourishing the unresolved tensions within the... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/52598/peppel_the-guest.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-525983 https://doi.org/10.37050/ci-06_06

   In its elusive form between drama, novel and film, "Teorema" marks a 'new turning point in Pasolini's oeuvre'. Both the narrative and the style are remarkable, juxtaposing elements of different genres, nourishing the unresolved tensions within the film: the family members are shown in various scenes that follow one another in seemingly random order. Instead of a cohesive narrative unfolding in time, there reigns a sense of timelessness that gives rise to an oppressive feeling of drifting. Claudia Peppel's essay 'The Guest: Transfiguring Indifference in "Teorema"' explores the figure of the guest, which has always been closely connected with myth and whose appearance often triggers the dramatic conflict. Peppel focuses on "Teorema", in which a sensual stranger causes a bourgeois family to acknowledge its delusions. When he departs, the members of the family are left in a state of unfulfilled yearning, searching for new meaning. While critical literature on Pasolini regularly points to the importance of the figure of the guest but rarely analyzes it, Peppel discusses theories of the guest and hospitality to illuminate the role of the stranger in Pasolini's film. The guest's exceptional state, which is removed from everyday life and removes others from their everyday lives, is meticulously staged and resembles the evenly-suspended attention of the psychoanalyst. He triggers projections, desires, and, ultimately, existential crises.

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   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-85132-681-9
   DDC Klassifikation:	Öffentliche Darbietungen, Film, Rundfunk (791); Literatur und Rhetorik (800)
   Sammlung:	ICI Berlin
   Schlagworte:	Pasolini, Pier Paolo; Teorema (Film); Gast <Motiv>; Gastfreundschaft <Motiv>; Fremder <Motiv>; Konflikt
   Lizenz:	creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess