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  1. The 'flâneur' and the revolutions of 1848

    The flâneur has been depicted in several different ways in 19th as well as 20th and 21st century literature and criticism. The focus of this brief paper will be on the roles given him in English writings from or around the time of the 1848... mehr

     

    The flâneur has been depicted in several different ways in 19th as well as 20th and 21st century literature and criticism. The focus of this brief paper will be on the roles given him in English writings from or around the time of the 1848 revolutions in France and Germany, in which the flâneur comes to represent not only a street idler, but also a critical traveller to, and observer of, the continental city and its revolutionary activities.

     

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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-89528-728-2
    DDC Klassifikation: Englische, altenglische Literaturen (820); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Aisthesis Verlag
    Schlagworte: Flaneur <Motiv>; Revolution <1848, Motiv>; Englisch; Literatur
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess

  2. England's backyard : Vormärz travel writers on the Irish question
    Autor*in: Bourke, Eoin

    Most Germans went first to Great Britain to witness and describe what in comparison to the conditions in the German petty principalities was very progressive in its industrial advancement, free trade, extraordinary wealth-creation, very advanced... mehr

     

    Most Germans went first to Great Britain to witness and describe what in comparison to the conditions in the German petty principalities was very progressive in its industrial advancement, free trade, extraordinary wealth-creation, very advanced civil rights and parliamentary democracy and to hold it up as a model to the Germans. Some then added on a trip to Ireland, which after all was a part of the political entity "The United Kingdom", to see, as they thought, more of the same. Instead they came face to face with the most abject poverty any of them had ever experienced, including the professional ethnographer Johann Georg Kohl, who had been all over Europe and as far as Siberia. For the Vormärz authors this raised questions as to why "John Bull's other island", as George Bernhard Shaw would much later call Ireland, was so utterly neglected

     

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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-89528-728-2
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Aisthesis Verlag
    Schlagworte: Irland <Motiv>; Irische Frage <Motiv>; Reiseliteratur; Vormärz
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess

  3. Musil's idea of poetic mastership and responsibility or "Törless" as his first attempt to become a serious writer

    Musil uses the word 'Dichter', 'poet', as a dignified title reserved for artists of great achievement (different from 'Schriftsteller', 'writer'). His use of the word emphasizes the importance of the specifically poetic qualities of literature (and... mehr

     

    Musil uses the word 'Dichter', 'poet', as a dignified title reserved for artists of great achievement (different from 'Schriftsteller', 'writer'). His use of the word emphasizes the importance of the specifically poetic qualities of literature (and of the poetic sensibility of criticism,) not as an idle objection to the contemporary merging of literary works with either pure sensation and feeling, or with other forms of discourse. Focusing on "Törless", as well as on Musil's notebooks and essays, this article shows how Musil understands the relationship between rational thinking and the latent ideas and thoughts that emerge within the poetic dimension (the 'other state of mind' or 'other condition.') This approach illuminates Musil's conception of "precision and soul" - the interlocking of sensitive perceptiveness and intellectual rigor - as a necessary pre-condition for valuable literature and valuable life. Musil costuma usar o termo 'Dichter', poeta, como um título de maior dignidade para grandes mestres (opondo esse termo à palavra mais contemporânea 'Schriftsteller', escritor). Esse uso sustenta a ideia das qualidades especificamente poéticas da literatura (e da sensibilidade poética da crítica), reagindo contra as tendências contemporâneas de fundir os discursos literários ou com a pura sensação, ou com outras formas discursivas. Partindo de "Törless" e de alguns ensaios de Musil, esse artigo mostra como Musil entende a relação entre o pensamento racional e as ideias latentes que emergem da dimensão poética (do "outro estado da mente" ou da "outra condição"). A abordagem ilumina a concepção musiliana de "precisão e alma", isto é, o entrelaçamento entre percepção sensitiva e rigor intelectual como uma condição para a busca de valores literários e existenciais.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Musil, Robert / Der junge Törless; Musil, Robert / Die Verwirrungen des Zöglings Törless; Literatur; Essay; Notizbuch
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  4. A decorporealized theory? : considerations about Luhmann's conception of the body
    Erschienen: 01.12.2015

    The aim of this paper is to analyze the concept of body developed by Luhmann's systems theory. Privileged places where one can look for the body will be the interpenetration between human beings and the concept of socialization. Another fundamental... mehr

     

    The aim of this paper is to analyze the concept of body developed by Luhmann's systems theory. Privileged places where one can look for the body will be the interpenetration between human beings and the concept of socialization. Another fundamental problem is the relationship between semantics and body, although the most explicit presence of the body in this theory comes with the concept of symbiotic mechanisms or symbols. The last place where this enquiry will look for a bodily reference are emotions, which were highly ignored by Luhmann. Alternative approaches explored in the paper are treating the body as a structure, as a medium or as an internal environment. El objetivo de este trabajo es analizar el concepto de cuerpo desarrollado por la teoría de sistemas de Luhmann. Algunos lugares privilegiados para encontrar al cuerpo en este contexto son la interpenetración entre seres humanos y el concepto de socialización. Otro problema fundamental es la relación entre semántica y cuerpo, si bien la presencia más explícita del cuerpo en esta teoría se encuentra en el concepto de mecanismos o símbolos simbióticos. El último lugar donde esta investigación buscará una referencia corporal es en las emociones, las cuales fueron largamente ignoradas por Luhmann. También se explorarán abordajes alternativos como tratar al cuerpo como estructura, como medio o como entorno interno

     

    Export in Literaturverwaltung
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Sozialwissenschaften (300); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Leib-Seele-Problem; Körper; Semantik; Gefühl; Luhmann, Niklas; Systemtheorie
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  5. Dogeared hate : Yilmaz Arslan's Brudermord/Fratricide (2005), a new type of Heimatfilm
    Erschienen: 08.04.2016

    This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan's Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimatfilm of the German... mehr

     

    This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan's Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimatfilm of the German margin. Arslan's film self-reflexively posits transnational Heimat film as a possible bridge between "Others", as a means to facilitate conversations which might decrease the violence of the present dog eat dog world of the margin the film portrays. Diese Arbeit analysiert die Heimatmetapher der Pitbullhündin in Yilmaz Arslans Brudermord (2005), ein Film, der von türkischen Migranten in Deutschland handelt und der das Filmgenre "Heimatfilm" modernisiert, um die Welt der flüssigen Grenzen zu reflektieren. Brudermord ist ein Heimatfilm des deutschen Randbereichs und geht davon aus, dass der transnationale Heimatfilm als Mittel der Kluftüberbrückung zwischen Nichtgleichen wirken kann: Er könnte eine Annäherung durch Gespräche anregen, die vielleicht die Gewalt der gegenwärtigen Welt, in der jeder gegen jeden kämpft und in der viele wie Hunde leben und sterben, reduzieren könnte.

     

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