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  1. Divine silence in Stefan Heym's "The King David Report"
    Autor*in: Tumanov, Vladimir

    This essay deals with Stefan Heym's "King David Report" as a work of artistically-based biblical scholarship rather than a work of political allegory related to the writer's experience in the East Block during the Cold War. I consider Baruch... mehr

     

    This essay deals with Stefan Heym's "King David Report" as a work of artistically-based biblical scholarship rather than a work of political allegory related to the writer's experience in the East Block during the Cold War. I consider Baruch Halpern's notion of complementary causation (the attribution of causes behind given biblical events to divine and human agency at the same time) in connection to King David's seduction of Bathsheba and the subsequent murder of Bathsheba's husband in 2 Samuel. I try to demonstrate Heym's refusal to attribute complementary causation to the biblical events in order to expose David and Solomon as Machiavellian autocrats rather than instruments of God. Given that (according to Baruch Halpern) the biblical story of David is an apologia of Solomon's illegitimate rule, Stefan Heym's novel undermines the traditional view of Solomon as a Christ type and a great Israelite monarch. Heym's position is contrasted with the deeply ingrained tradition in Judeo-Christian culture of seeing David's life in terms of complementary causation. The conclusion seeks to illustrates Heym's general philosophic stance that makes spirituality and power incompatible.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Altes Testament; Samuel <Buch>, I. II.; David <Israel, König>; Salomo <Israel, König>; Heym, Stefan / Der König David Bericht
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. Dogeared hate : Yilmaz Arslan's Brudermord/Fratricide (2005), a new type of Heimatfilm
    Autor*in: Pleasant, Lesley C.
    Erschienen: 08.04.2016

    This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan's Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimatfilm of the German... mehr

     

    This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan's Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimatfilm of the German margin. Arslan's film self-reflexively posits transnational Heimat film as a possible bridge between "Others", as a means to facilitate conversations which might decrease the violence of the present dog eat dog world of the margin the film portrays. Diese Arbeit analysiert die Heimatmetapher der Pitbullhündin in Yilmaz Arslans Brudermord (2005), ein Film, der von türkischen Migranten in Deutschland handelt und der das Filmgenre "Heimatfilm" modernisiert, um die Welt der flüssigen Grenzen zu reflektieren. Brudermord ist ein Heimatfilm des deutschen Randbereichs und geht davon aus, dass der transnationale Heimatfilm als Mittel der Kluftüberbrückung zwischen Nichtgleichen wirken kann: Er könnte eine Annäherung durch Gespräche anregen, die vielleicht die Gewalt der gegenwärtigen Welt, in der jeder gegen jeden kämpft und in der viele wie Hunde leben und sterben, reduzieren könnte.

     
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  3. Doing trust : precarious practices
    Autor*in: Brandlechner, Daniel
    Erschienen: 27.06.2023

    Report on the Workshop "Trust, Crisis, Catastrophe III: Practices," organized by Nina Doejen, Gerald Hartung, Katharina Kalthoff, Florian Kappeler, and Cécile Stehrenberger, January 18–20, 2023, University of Wuppertal (Germany). mehr

     

    Report on the Workshop "Trust, Crisis, Catastrophe III: Practices," organized by Nina Doejen, Gerald Hartung, Katharina Kalthoff, Florian Kappeler, and Cécile Stehrenberger, January 18–20, 2023, University of Wuppertal (Germany).

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Tagungsberichte
    Schlagworte: Vertrauen; Misstrauen; Krise
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. Dos Passos instead of Goethe! : Some observations on how the history of narratology is and ought to be conceptualized
    Autor*in: Martínez, Matías
    Erschienen: 09.04.2013

    Taking as starting point some collective volumes since the year 2000 which aspire to provide new views on narratology, this essay discusses the problem of how to conceive the history of narratology in a way that is more enlightening than the linear... mehr

     

    Taking as starting point some collective volumes since the year 2000 which aspire to provide new views on narratology, this essay discusses the problem of how to conceive the history of narratology in a way that is more enlightening than the linear narrative used so far to tell this story. It lists some aspects which are neglected by the usual narrative and favors a decentered conception of narratology’s development.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Erzählforschung; Erzähltheorie; Dos Passos, John; Goethe, Johann Wolfgang von
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. Double take : palimpsestic writing and image-character in Benjamin's late prose
    Autor*in: Jennings, Michael W.
    Erschienen: 01.12.2016

    It is no accident that the figuration of rewriting as copying is an image from "One Way Street". This apparently casual assemblage of small, rather belletristic texts - still some of the least explored terrain in all of Benjamin - is in important... mehr

     

    It is no accident that the figuration of rewriting as copying is an image from "One Way Street". This apparently casual assemblage of small, rather belletristic texts - still some of the least explored terrain in all of Benjamin - is in important ways the key to all of Benjamin’s later writing, and especially that writing based on the form of the "Denkbild" or figure of thought. In what follows, I will concentrate on one set of paired examples in order to demonstrate in a more focused way the practice of rewriting and its effects: on the relationship between "Berlin Childhood around 1900" and "One Way Street".

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-7705-5071-5
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Benjamin, Walter; Textproduktion; Literaturproduktion; Berliner Kindheit um neunzehnhundert; Einbahnstraße; Erinnerung
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess