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  1. „Einzelwander[in]“ auf Schleichpfaden: Zum interkulturellen Roman "Die Erdfresserin" von Julya Rabinowich The lonely-women into lost path: Facts about the intercultural novel „The eartheaterin“

    The intercultural novel of Julya Rabinowich The Earth-eater is fed with complex motivs and intertextual allusions, shows the physical and psychological ruin of a migrant, forced by social conditions to sell her body to survive. Closely interwoven are... mehr

     

    The intercultural novel of Julya Rabinowich The Earth-eater is fed with complex motivs and intertextual allusions, shows the physical and psychological ruin of a migrant, forced by social conditions to sell her body to survive. Closely interwoven are memories of her childhood and her previous, bitter life. Rabinowich gives an insight into the hardened and thoroughly abysmal emotional world of her protagonist, who belongs to those who „get up and go on”, but also into the capitalist value system, which judges man according to his productive power. In the end, the novel leaves the reality plane and echoes into the surreal to signal the complete descent of the figure into madness and death. In order to better illustrate the psychosis caused by uprooting and abandonment, Julya Rabinowich makes bonds in the Jewish literary traditions.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess

  2. [Rezension zu:] Paul Michael Lützeler, Erin McGlothlin (Hrsg.): Gegenwartsliteratur. 10 (2011)
    Erschienen: 28.12.2014

    Rezension zu Paul Michael Lützeler, Erin McGlothlin (Hrsg.): Gegenwartsliteratur. Ein germanistisches Jahrbuch, Nr. 10/2011. Tübingen: Stauffenburg Verlag, 2011, ISBN 978-3-86057-581-9, 342 S. mehr

     

    Rezension zu Paul Michael Lützeler, Erin McGlothlin (Hrsg.): Gegenwartsliteratur. Ein germanistisches Jahrbuch, Nr. 10/2011. Tübingen: Stauffenburg Verlag, 2011, ISBN 978-3-86057-581-9, 342 S.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Rezension
    Format: Online
    ISBN: 978-3-7069-0678-4
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Praesens Verlag
    Schlagworte: Gegenwart; Literatur; Deutsch
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess

  3. Schreiben mit der Schere: Herta Müllers Collagenband "Vater telefoniert mit den Fliegen"
    Erschienen: 30.12.2021

    Herta Müller has written several volumes of postcards, describing the work on the collages as a “relaxation exercise” from the laborious epic work. Her collage work is heterogeneous, works with the principle of chance, deals with clippings. The... mehr

     

    Herta Müller has written several volumes of postcards, describing the work on the collages as a “relaxation exercise” from the laborious epic work. Her collage work is heterogeneous, works with the principle of chance, deals with clippings. The author tries o writing with scissors that can be positioned somewhere between literature and the fine arts. The volume Father Telephones with the Flies enables a political reading in which an I speaks about his traumas during the dictatorship, about interrogations, shadows and also includes the family sphere. Image and writing complement each other.

     

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    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  4. Raumkonstellationen in Marlen Haushofers Roman "Die Wand"

    Through the emergence of a mysterious wall a nameless protagonist is forced to lead a life of isolation behind this wall. Through the resulting threshold the space is divided into a separate space of the defunct civil society and an interior,... mehr

     

    Through the emergence of a mysterious wall a nameless protagonist is forced to lead a life of isolation behind this wall. Through the resulting threshold the space is divided into a separate space of the defunct civil society and an interior, insulated survival space. The exterior space is marked by elements of dissatisfaction, basically caused by the lack of interpersonal communication. The initially hostile enclave gradually becomes a space of militant feminism, in which a recluse is compelled not only to surviving but also to establishing herself at the zero point of civilization. The paradisiacal environment, leading to the dissolution of formal boundaries and to the comunion with the nature is visibly disturbed by the appearance of a stranger. It congeals to a space of creation, as the unnamed woman writes down her experiences in this place on the backs of old calendar pages. The natural environment of the mountains becomes through writing a place a self-insurance.

     

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    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess

  5. Herta Müller – Mircea Cãrtãrescu: ein Annäherungsversuch

    The article focuses on Herta Müller and Mircea Cãrtãrescu, two authors from the same generation, who in their respective novels Herztier and Orbitor gave different accounts on the situation in Romania during the 70s, the 80s, of the terror during the... mehr

     

    The article focuses on Herta Müller and Mircea Cãrtãrescu, two authors from the same generation, who in their respective novels Herztier and Orbitor gave different accounts on the situation in Romania during the 70s, the 80s, of the terror during the Ceaușescu-dictatorship, and on the December revolution. Multiple factors allow a parallelized and comparative description of these two novels: biographical and work-immanently factors. A similarly described world, marked by Kafkaesque elements – Romania amid the dictatorship of Ceauºescu, as well as similarly handling elements of oppression, fear, humiliation, forms of survival, description of the totalitarian state representatives, accurate highlights of the December revolution connect the two autobiographical novels. While the reader can sense in Müllers book the fear and the terror very deeply, as the death and the emigration are solely alternatives for the protagonists, Cãrtãrescu’s universe has signs of grotesqueness and ridiculousness. Cãrtãrescu doesn’t accentuate the terror, the hopelessness, the fear, but mocks the reality, and he laughs at Ceausescu’s stupidity. The author satisfies his desire of revenge for his stolen youth in the communist period.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Italienische, rumänische, rätoromanische Literaturen (850)
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess