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  1. Towards an interactive view of third language acquisition: the case of the German Vorfeld
    Autor*in: Chan, Yin Fung
    Erschienen: 23.02.2016

    This thesis investigates how students with Cantonese (L1) and English (L2) backgrounds acquire German as a third language (L3), with a focus on the acquisition of the Vorfeld (fronting) constructions of German. In L3 studies, the roles played by... mehr

     

    This thesis investigates how students with Cantonese (L1) and English (L2) backgrounds acquire German as a third language (L3), with a focus on the acquisition of the Vorfeld (fronting) constructions of German. In L3 studies, the roles played by mother tongue, L2 and developmental grammar may be distinguished. Previous L3 studies have suggested that the role of L2 seems to be prominent in L3 strategy building, including interlanguage transfer from L2 to L3. Pursuing a cognitive approach, we argue that incremental production and language processing strategies are significant factors in accounting for third language acquisition and production.

    A total of 45 university students of German completed a questionnaire and submitted copies of their compositions, followed by picture elicitation tasks. Three typical fronting types were found to be common amongst the learners:

    1. Für mich, jede Familie hat eigene Situation und Probleme.

    2. Obwohl gibt es viele Probleme mit alten Leuten zusammen lebt, finde ich gut dafür.

    3. Jetzt die meisterns haben schon nach Hong Kong zurückgekommen.

    Type 1 is argued to reflect indirect transfer of native language function-form characteristics. Type two is argued to be an intralingual error in which the learners have overgeneralized the verb second (V2) rule, without acquiring the correct function of the Vorfeld construction. The third type shows that apart from the influence of English in adverb fronting constructions, adverbs of stance or perspective adverbs like ‘jetzt’ semantically do not form part of the proposition and they are therefore treated as “extra-sentential” constituents which do not affect the basic V2 construction.

    The findings suggest that learners may have primarily acquired the topic function of German fronting, while failing to fully acquire the focus function. For the focus function, learners seem to prefer alternative constructions such as existential sentences using ‘es gibt’. Both of these findings implicate L1 Chinese influence.

    As an overall perspective on the incipient field of third language acquisition research I propose a holistic and coherent view which encompasses syntax, semantics and pragmatics at all levels of language development. By probing an independent paradigm of L3 studies, we aim to contribute to a new dynamic research space as well to ongoing debates in the SLA field by attributing greater autonomy and consciousness to the learner, even on the level of grammatical interaction.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    DDC Klassifikation: Germanische Sprachen; Deutsch (430)
    Lizenz:

    creativecommons.org/licenses/by/3.0/de/deed.de

    ;

    info:eu-repo/semantics/restrictedAccess

  2. Dogeared hate : Yilmaz Arslan's Brudermord/Fratricide (2005), a new type of Heimatfilm
    Erschienen: 08.04.2016

    This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan's Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimatfilm of the German... mehr

     

    This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan's Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimatfilm of the German margin. Arslan's film self-reflexively posits transnational Heimat film as a possible bridge between "Others", as a means to facilitate conversations which might decrease the violence of the present dog eat dog world of the margin the film portrays. Diese Arbeit analysiert die Heimatmetapher der Pitbullhündin in Yilmaz Arslans Brudermord (2005), ein Film, der von türkischen Migranten in Deutschland handelt und der das Filmgenre "Heimatfilm" modernisiert, um die Welt der flüssigen Grenzen zu reflektieren. Brudermord ist ein Heimatfilm des deutschen Randbereichs und geht davon aus, dass der transnationale Heimatfilm als Mittel der Kluftüberbrückung zwischen Nichtgleichen wirken kann: Er könnte eine Annäherung durch Gespräche anregen, die vielleicht die Gewalt der gegenwärtigen Welt, in der jeder gegen jeden kämpft und in der viele wie Hunde leben und sterben, reduzieren könnte.

     

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  3. How Brazilian students conceptualize the experience of learning German for academic purposes
    Erschienen: 16.08.2016

    The present study aims to investigate how foreign language learners at the German for Academic Purposes (GAP) program at a Brazilian federal university interact in their mother tongue about their motivations to learn a foreign language as well as... mehr

     

    The present study aims to investigate how foreign language learners at the German for Academic Purposes (GAP) program at a Brazilian federal university interact in their mother tongue about their motivations to learn a foreign language as well as their motivations to participate in study abroad programs. Data were collected using focus group methodology with three focus groups of six students each (A1, A2 and B1 levels). We chose to analyze the A1 group. We conducted metaphor-led discourse analysis of the data in order to examine metaphors and metonymies, which emerged in the focus group interactions. We were able to identify the presence of systematic metaphors such as learning is hard work and learning is jumping hurdles, intertwined with conceptual metaphors such as education is a journey and difficulties are weights, which point at the motivation for learning verbalized by Brazilian foreign language learners who took part in the study. Este estudo tem como objetivo investigar como aprendizes de língua estrangeira no programa de Alemão para Fins Acadêmicos (AFA) em uma universidade federal brasileira interagem em sua língua materna sobre suas motivações para aprender uma língua estrangeira, bem como sua motivação para participar de programas de intercâmbio. Os dados foram coletados usando a metodologia de grupo focal com três grupos de seis estudantes cada (níveis A1, A2 e B1). Analisamos o grupo de A1. Conduzimos uma análise do discurso à luz da metáfora nos dados para examinar as metáforas e metonímias que surgiram nas interações dos grupos focais. Pudemos identificar a presença de metáforas sistemáticas como aprendizagem é trabalho duro e aprendizagem é pular barreiras, imbricadas com metáforas conceptuais como educação é uma viagem e dificuldades são peso, que apontam para a motivação de aprendizagem verbalizada pelos participantes desse estudo.

     

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  4. Literature, measured
    Autor*in: Moretti, Franco
    Erschienen: 01.04.2016

    There comes a moment, in digital humanities talks, when someone raises the hand and says: "Ok. Interesting. But is it really new?" Good question... And let's leave aside the obvious lines of defense, such as "but the field is still only at its... mehr

     

    There comes a moment, in digital humanities talks, when someone raises the hand and says: "Ok. Interesting. But is it really new?" Good question... And let's leave aside the obvious lines of defense, such as "but the field is still only at its beginning!", or "and traditional literary criticism, is that always new?" All true, and all irrelevant; because the digital humanities have presented themselves as a radical break with the past, and must therefore produce evidence of such a break. And the evidence, let's be frank, is not strong. What is there, moreover, comes in a variety of forms, beginning with the slightly paradoxical fact that, in a new approach, not everything has to be new. When "Network Theory, Plot Analysis” pointed out, in passing, that a network of Hamlet had Hamlet at its center, the New York Times gleefully mentioned the passage as an unmistakable sign of stupidity. Maybe; but the point, of course, was not to present Hamlet’s centrality as a surprise; it was exactly the opposite: had the new approach not found Hamlet at the center of the play, its plausibility would have disintegrated. Before using network theory for dramatic analysis, I had to test it, and prove that it corroborated the main results of previous research.

     

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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Arbeitspapier; Arbeitspapier
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Stanford Literary Lab
    Schlagworte: Quantitative Literaturwissenschaft; Digital Humanities
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess

  5. The Emotions of London
    Erschienen: 01.10.2016

    A few years ago, a group formed by Ben Allen, Cameron Blevins, Ryan Heuser, and Matt Jockers decided to use topic modeling to extract geographical information from nineteenth-century novels. Though the study was eventually abandoned, it had revealed... mehr

     

    A few years ago, a group formed by Ben Allen, Cameron Blevins, Ryan Heuser, and Matt Jockers decided to use topic modeling to extract geographical information from nineteenth-century novels. Though the study was eventually abandoned, it had revealed that London-related topics had become significantly more frequent in the course of the century, and when some of us were later asked to design a crowd-sourcing experiment, we decided to add a further dimension to those early findings, and see whether London place-names could become the cornerstone for an emotional geography of the city.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Arbeitspapier; Arbeitspapier
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Stanford Literary Lab
    Schlagworte: London; Digital Humanities; Romantheorie; Schauplatz
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess