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  1. The 'flâneur' and the revolutions of 1848
    Autor*in: Rose, Margaret A.

    The flâneur has been depicted in several different ways in 19th as well as 20th and 21st century literature and criticism. The focus of this brief paper will be on the roles given him in English writings from or around the time of the 1848... mehr

     

    The flâneur has been depicted in several different ways in 19th as well as 20th and 21st century literature and criticism. The focus of this brief paper will be on the roles given him in English writings from or around the time of the 1848 revolutions in France and Germany, in which the flâneur comes to represent not only a street idler, but also a critical traveller to, and observer of, the continental city and its revolutionary activities.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-89528-728-2
    DDC Klassifikation: Englische, altenglische Literaturen (820); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Aisthesis Verlag
    Schlagworte: Flaneur <Motiv>; Revolution <1848, Motiv>; Englisch; Literatur
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. England's backyard : Vormärz travel writers on the Irish question
    Autor*in: Bourke, Eoin

    Most Germans went first to Great Britain to witness and describe what in comparison to the conditions in the German petty principalities was very progressive in its industrial advancement, free trade, extraordinary wealth-creation, very advanced... mehr

     

    Most Germans went first to Great Britain to witness and describe what in comparison to the conditions in the German petty principalities was very progressive in its industrial advancement, free trade, extraordinary wealth-creation, very advanced civil rights and parliamentary democracy and to hold it up as a model to the Germans. Some then added on a trip to Ireland, which after all was a part of the political entity "The United Kingdom", to see, as they thought, more of the same. Instead they came face to face with the most abject poverty any of them had ever experienced, including the professional ethnographer Johann Georg Kohl, who had been all over Europe and as far as Siberia. For the Vormärz authors this raised questions as to why "John Bull's other island", as George Bernhard Shaw would much later call Ireland, was so utterly neglected

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    ISBN: 978-3-89528-728-2
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Sammlung: Aisthesis Verlag
    Schlagworte: Irland <Motiv>; Irische Frage <Motiv>; Reiseliteratur; Vormärz
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  3. Musil's idea of poetic mastership and responsibility or "Törless" as his first attempt to become a serious writer
    Autor*in: Rosenfield, Kathrin H.

    Musil uses the word 'Dichter', 'poet', as a dignified title reserved for artists of great achievement (different from 'Schriftsteller', 'writer'). His use of the word emphasizes the importance of the specifically poetic qualities of literature (and... mehr

     

    Musil uses the word 'Dichter', 'poet', as a dignified title reserved for artists of great achievement (different from 'Schriftsteller', 'writer'). His use of the word emphasizes the importance of the specifically poetic qualities of literature (and of the poetic sensibility of criticism,) not as an idle objection to the contemporary merging of literary works with either pure sensation and feeling, or with other forms of discourse. Focusing on "Törless", as well as on Musil's notebooks and essays, this article shows how Musil understands the relationship between rational thinking and the latent ideas and thoughts that emerge within the poetic dimension (the 'other state of mind' or 'other condition.') This approach illuminates Musil's conception of "precision and soul" - the interlocking of sensitive perceptiveness and intellectual rigor - as a necessary pre-condition for valuable literature and valuable life. Musil costuma usar o termo 'Dichter', poeta, como um título de maior dignidade para grandes mestres (opondo esse termo à palavra mais contemporânea 'Schriftsteller', escritor). Esse uso sustenta a ideia das qualidades especificamente poéticas da literatura (e da sensibilidade poética da crítica), reagindo contra as tendências contemporâneas de fundir os discursos literários ou com a pura sensação, ou com outras formas discursivas. Partindo de "Törless" e de alguns ensaios de Musil, esse artigo mostra como Musil entende a relação entre o pensamento racional e as ideias latentes que emergem da dimensão poética (do "outro estado da mente" ou da "outra condição"). A abordagem ilumina a concepção musiliana de "precisão e alma", isto é, o entrelaçamento entre percepção sensitiva e rigor intelectual como uma condição para a busca de valores literários e existenciais.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Musil, Robert / Der junge Törless; Musil, Robert / Die Verwirrungen des Zöglings Törless; Literatur; Essay; Notizbuch
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. Arthur in the Tristan Tradition
    Autor*in: Mertens, Volker (Prof. Dr.)
    Erschienen: 26.10.2012

    The bringing together of the two realms, that of Tristan and Isolde and that of Arthur, thus has a mutually corrosive effect. However, in the further course of the action Tristan and Isolde’s love regains some of its absoluteness: for instance... mehr

     

    The bringing together of the two realms, that of Tristan and Isolde and that of Arthur, thus has a mutually corrosive effect. However, in the further course of the action Tristan and Isolde’s love regains some of its absoluteness: for instance Heinrich refrains from taking over the quarrel of lovers from Eilhart. He plays a double game, on the one hand reducing the absoluteness and self-sufficiency of love, on the other hand building it up again and thus preventing the establishment of a firm doctrine in the course of the narrative (…), as neither the Arthurian court nor the love of Tristan and Isolde provides an absolute norm. Heinrich wrote his romance for the Bohemian noble Raimund von Lichtenburg, and the account of the foundation of the Round Table and the self-directed activities of the knights have belonged (…). The initial Arthurian ideal has become a confirmatory ritual for an exclusive body of noblemen – that matches the spirit of the knightly societies.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 0-7083-1595-X
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Artusepik; Gottfried <von Straßburg> / Tristan und Isolde; Eilhart <von Oberg> / Tristrant
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess
  5. The phonetic gender score of German first names and pet names : gendered first names versus de-gendered pet names
    Autor*in: Nübling, Damaris
    Erschienen: 04.09.2018

    In German, female and male first names are strictly segregated: there are two big inventories with the only purpose to separate women and men. Unisex names are extremely seldom. If they are chosen, they have to be followed by a sex-specific middle... mehr

     

    In German, female and male first names are strictly segregated: there are two big inventories with the only purpose to separate women and men. Unisex names are extremely seldom. If they are chosen, they have to be followed by a sex-specific middle name (e.g. Kim Uwe, Kim Annette). If we look at the phonological components of first names, i.e. at their sounds, we can state that male and female names became more similar over the last decades. Whereas in the 1950's, typical first names such as Katharina and Rolf diverged considering their phonic inventory considerably, today, many girls are named Leah and Lara and many boys Noah and Luca. These names share nearly the same sounds, they consist of two syllables and are stressed on the first one. If we look behind the scenes, it becomes clear that the officially required onomastic separation of the two sexes is undermined. In this paper, I will present a socalled phonetic gender score for German first names for the first time (see also Schmidt-Jüngst in this volume). It allows for measuring a degree of femaleness and maleness of names. In a second step, it will be asked whether unofficial names such as pet names, which are not obliged to mark sex also tend to be gendered or if they disobey the gender barrier. It will be shown that the most intimate names are not interested in stressing the denoted person's sex. In contrast to first names, pet names tend to be maximally de-gendered.

     
    Export in Literaturverwaltung
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    DDC Klassifikation: Linguistik (410); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Rufname; Geschlechterforschung; Soziolinguistik; Namenkunde; Vorname; Phonologie
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess