CompaRe durchsuchen

Zeige Ergebnisse 6 bis 8 von 8.

1. Analogy and difference : multistable figures in Pier Paolo Pasolini's "Appunti per un'Orestiade Africana"

   Autor*in: Gragnolati, Manuele

   Erschienen: 16.12.2019

   Manuele Gragnolati's paper 'Analogy and Difference: Multistable Figures in Pasolini's "Appunti per un'Orestiade africana"' discusses Pasolini's preference for the figure of contradiction and his opposition to Hegelian dialectics by exploring his... mehr

   • Bibliographische Angaben
   • Inhaltsangaben
   • Zugang
   • Beschreibung

   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/52023/gragnolati_analogy-and-difference.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-520238 https://doi.org/10.37050/ci-06_07

   Manuele Gragnolati's paper 'Analogy and Difference: Multistable Figures in Pasolini's "Appunti per un'Orestiade africana"' discusses Pasolini's preference for the figure of contradiction and his opposition to Hegelian dialectics by exploring his attempt to look at Africa's process of modernization and democratization in the 1960s as analogous to the synthetic transformation of the Furies into Eumenides at the end of Aeschylus's trilogy. Gragnolati shows that Pasolini is aware of the dangers of analogy, which risks imposing the author's or filmmaker's symbolic order onto that of the 'other' represented in the text or film, and he argues that Pasolini seeks to deal with this danger by constantly shifting back and forth between differing positions. "Appunti per un'Orestiade africana" can thereby be thought as a multistable figure that is left suspended and not only resists synthesis, but also problematizes its own feasibility and challenges its own legitimacy.

   Export in Literaturverwaltung

   Hinweise zum Inhalt:

   kostenfrei

   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-85132-681-9
   DDC Klassifikation:	Öffentliche Darbietungen, Film, Rundfunk (791); Literatur und Rhetorik (800)
   Sammlung:	ICI Berlin
   Schlagworte:	Pasolini, Pier Paolo; Aeschylus; Orestia; Afrika; Geschichte 1960-; Dialektik; Widerspruch
   Lizenz:	creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess

2. Introduction : medieval openness

   Autor*in: Gragnolati, Manuele; Suerbaum, Almut

   Erschienen: 15.06.2022

   The essays in this volume seek to understand manifold kinds of medieval openness that become visible when one refrains from modern assumptions, and are also interested in how articulations of openness in the Middle Ages often stand in creative... mehr

   • Bibliographische Angaben
   • Inhaltsangaben
   • Zugang
   • Beschreibung

   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/68670/gragnolati-suerbaum_introduction.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-686704 https://doi.org/10.37050/ci-23_01

   The essays in this volume seek to understand manifold kinds of medieval openness that become visible when one refrains from modern assumptions, and are also interested in how articulations of openness in the Middle Ages often stand in creative tension with forms of closure and can even be empowered by them. The chapters highlight the complex relationship between author, work, and text, but also explore several, often paradoxical, ways in which medieval culture mobilizes forms, practices, and experiences of openness without having a single abstract concept for it.

   Export in Literaturverwaltung

   Hinweise zum Inhalt:

   kostenfrei

   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-96558-029-9; 978-3-96558-030-5
   DDC Klassifikation:	Literatur und Rhetorik (800); Geschichte Europas (940)
   Sammlung:	ICI Berlin
   Schlagworte:	Mittelalter; Offenheit
   Lizenz:	creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess

3. Openness and intensity : Petrarch's becoming laurel in "Rerum vulgarium fragmenta" 23 and 228

   Autor*in: Gragnolati, Manuele; Southerden, Francesca

   Erschienen: 27.06.2022

   Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject's transformation into (23), or implantation with (228), the laurel tree that normally represents the poet's beloved, Laura. Bringing Petrarch's poems into... mehr

   • Bibliographische Angaben
   • Inhaltsangaben
   • Zugang
   • Beschreibung

   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/68710/gragnolati-southerden_openness-and-intensity.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-687108 https://doi.org/10.37050/ci-23_11

   Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject's transformation into (23), or implantation with (228), the laurel tree that normally represents the poet's beloved, Laura. Bringing Petrarch's poems into dialogue with philosophical works that consider the nature of plant existence as a form of interconnectedness and porosity to the outside, we argue that the becoming tree these poems stage is a form of desire to be understood not as lack but as intensity.

   Export in Literaturverwaltung

   Hinweise zum Inhalt:

   kostenfrei

   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-96558-029-9; 978-3-96558-030-5
   DDC Klassifikation:	Literatur und Rhetorik (800); Italienische, rumänische, rätoromanische Literaturen (850)
   Sammlung:	ICI Berlin
   Schlagworte:	Petrarca, Francesco; Canzoniere; Lorbeer; Pflanzen <Motiv>; Metamorphose; Liebe <Motiv>
   Lizenz:	creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess