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  1. Narratology beyond literary criticism : mediality, disciplinarity ; introduction

    A glance at the current situation in literary criticism shows that narratology, pronounced dead twenty years ago, is remarkably alive and well. This fact has been noted repeatedly and with understandable self-satisfaction in the recent literature on... mehr

     

    A glance at the current situation in literary criticism shows that narratology, pronounced dead twenty years ago, is remarkably alive and well. This fact has been noted repeatedly and with understandable self-satisfaction in the recent literature on research into narrative theory. Just how astonishing this rebirth is, however, becomes apparent only when we step back from literary criticism and the humanities to take a wider historical view of the developments in academic and theoretical circles that preceded it. The deeply symbolic year of 1968 marked the fall of the academic ancient régime. Partly in anticipation of this and partly in response to it, a number of new leading disciplines were raised to power in western Europe as sources of hope for the future. However much they may have differed from one another in political purpose (in theoretical circles or beyond), linguistics, political economy, psychoanalysis, and structuralist semiology—to name but a few of the superdisciplines of the time—clearly belonged to one and the same paradigm in terms of how they conceived of themselves: throughout, they sought to reveal universal, ahistorical regularities in human thought and action in their respective fields.

     

    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 3-11-018352-8
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturtheorie (801)
    Schlagworte: Narrativität; Intermedialität
    Lizenz: Veröffentlichungsvertrag für Publikationen
  2. Intermediale Beziehungen im Film "Der Himmel über Berlin"

    The current article analyzes the film Der Himmel über Berlin (1987) with regard to its intermediality with literary texts. It has been suggested that Wenders’ film creates a stylistic world, both unique and provocative in its depiction of the... mehr

     

    The current article analyzes the film Der Himmel über Berlin (1987) with regard to its intermediality with literary texts. It has been suggested that Wenders’ film creates a stylistic world, both unique and provocative in its depiction of the relationship between words and images and between literature and media. More than twenty years after its first screening it continues to defy simple analysis. As a consequence, this article supports the employment of various studies to explain the aforementioned relationships, first by reviewing German theories of medial and historical transformations and then by detailing a multifaceted analysis of the film.

     

    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Wenders, Wim; Der Himmel über Berlin; Intermedialität
    Lizenz: Veröffentlichungsvertrag für Publikationen
  3. Genç Türk Gazetecinin "Berlin’in Yalnız Kadınları" anılarında tarihsel eleştiri ve sanatlararasılık
  4. Antes da Queda do Muro, além dele e sem ele : A estética emergente em "Die neuen Leiden..."

    This article is an analysis of the novel "Die neuen Leiden des jungen W." (1973) in the light of its intertextuality with Goethe's, Defoe's and Salinger's texts. It has been suggested that Plenzdorf's novel creates a stylistic and ideological world,... mehr

     

    This article is an analysis of the novel "Die neuen Leiden des jungen W." (1973) in the light of its intertextuality with Goethe's, Defoe's and Salinger's texts. It has been suggested that Plenzdorf's novel creates a stylistic and ideological world, which is instigating for the literary paradigms of the Socialist Realism of the 70s in East Germany. Twenty years after the Fall of the Berlin Wall, this created world in the novel seems to be up-to-date or even paradigmatic for the current representation of German Democratic Republic cultural memory in literature and film. The article then relies on an analysis of intertextuality and intermediality as a method to approach processes of transformation. The different processes inherent to the novel and its pretexts have been reported. Nesta análise do romance "Die neuen Leiden des jungen W." (1973) em sua intertextualidade com os romances de Goethe, Defoe e Salinger, sugere-se que o texto de Plenzdorf cria um universo estilístico e ideológico instigante a uma produção inserida no contexto literário do Realismo Socialista dos anos 70 na Alemanha Oriental. Vinte anos após a Queda do Muro de Berlim, esse universo revela-se atual, senão modelar, para o (re)trabalho de memória cultural da RDA representado na literatura e no cinema contemporâneos. Para tanto, recorre-se às análises da intertextualidade como um método de abordagem de processos de transformação. Expõem-se, então, os diferentes processos observados no romance em relação aos seus pré-textos. Ziel dieses Beitrags ist die intertextuelle Untersuchung von Plenzdorfs Roman "Die neuen Leiden des jungen W." (1973), unter der Berücksichtigung von Goethes "Die Leiden des jungen Werthers" (1774), Defoes "Robinson Crusoe" (1719) und Salingers "Der Fänger im Roggen" (1951). Daraus ergeben sich interessante stilistische und ideologische Aspekte für einen innerhalb des realsozialistischen Staats verfassten Roman. Diese Aspekte werden 20 Jahre nach dem Fall der Berliner Mauer aktuell, wenn nicht paradigmatisch für eine Generation von Schriftstellern und Kinomachern, die sich nach den untersuchten Betrachtungsweisen mit dem kulturellen Gedächtnis der DDR befassen. Um dieses Ziel zu erreichen, wird Intertextualität als eine Methode für die Beschäftigung mit den Transformationsprozessen betrachtet. Verschiedene Prozesse werden in Bezug auf die Prätexte festgestellt und im Beitrag beschrieben.

     

  5. [Rezension zu:] Berndt, Frauke/ Tonger-Erk, Lily (2013): Intertextualität
    Erschienen: 13.05.2015

    Rezension zu Berndt, Frauke/ Tonger-Erk, Lily (2013): Intertextualität. Berlin: Erich Schmidt (= Grundlagen der Germanistik 53), 292 S. ISBN 978-3-503-137-58-9. mehr

     

    Rezension zu Berndt, Frauke/ Tonger-Erk, Lily (2013): Intertextualität. Berlin: Erich Schmidt (= Grundlagen der Germanistik 53), 292 S. ISBN 978-3-503-137-58-9.

     

    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Rezension
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturtheorie (801)
    Schlagworte: Literaturtheorie; Intermedialität; Intertextualität
    Lizenz: Veröffentlichungsvertrag für Publikationen